The Undead
Philip Burne-Jones: The Vampyre (1865)
The
phenomenon of corpses leaving their graves to plague the living has
been reported in all ages and cultures. In the Marshall Islands in the
Pacific, Sir James Frazer reports in The Golden Bough, it is
customary to take a different route home from the cemetery after an
interment; the islanders have even been known to reorient their
dwellings in order to make them less familiar to the deceased. This is
because it is usually close relatives or associates of the visitant who
are the main recipients of its attentions.
The vampire of
folklore is, of course, the best known of these revenants. It differs
greatly from the suave and seductive vampire of fiction, made famous by
Bram Stoker’s novel Dracula. In Southern and Eastern Europe,
the dead body generally climbs into bed with its spouse or children, and
then attempts to smother them, or asphyxiate them with foul,
plague-ridden breath. Biting is mostly reported not on the neck but on
the stomach or back.
Various responses to these incursions have
been reported over time. The most usual one is to dig the suspect from
his or her grave (the body is usually reported as swollen, with a ruddy
face and fresh blood leaking from it — all, incidentally, normal effects
of the natural process of decomposition, which also explains the fact
that the body may have moved since it was buried). Stakes, decapitation,
and quartering have all been variously described, but the most common
remedy, employed in most cultures, is fire.
The best-known account of this phenomenon is probably in the Icelandic Grettir’s Saga,
where the dead shepherd Glam rides the rooftrees of the narrow upland
steadings until he is wrestled into submission by Grettir. The victory
costs him dearly, however, as it leaves him with an abiding fear of the
dark and a foreshadowing of the doom which will overtake him later in
the Saga.
[G. Eden, ed. The Ecumenical Encyclopaedia. London: Denham, 1921. 636-37].
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